Featured Film
Amahl and the Night Visitors – Gian Carlo Menotti
Traditionally performed at Christmas in the United States, Amahl and the Night Visitors is a short opera telling the touching story of three kings who arrive at the humble home of a mother and her disabled young son on their journey to Bethlehem.
I had the good fortune to perform in this production, conducted by Yves Abel and directed by Gian Carlo Menotti himself. My involvement began with rehearsals at Menotti's castle near Edinburgh, followed by performances at the Spoleto Festival. The production was then filmed by Christine Edzard, beginning in the beautiful Tuscan countryside with real animals, including a rather disobedient elephant, before moving to the stage with live orchestra. A few months later, the film had its opening night at a cinema on Broadway in New York — an unforgettable experience.
Opera & Stage
Annina · Flora · The Duenna · The Mother
Concert & Recital
Latest Recording
A Few Figs from Thistles - songs by Kirsten Johnson
Joanna Campion, mezzo-soprano - Kirsten Johnson, piano
Recording excerpts:
Texts by Edna St.Vincent Millay, Harriet Beecher, Christina Rossetti and traditional Japanese haiku.
A Few Figs from Thistles brings together poetry by women across centuries and cultures, set to music by composer and pianist Kirsten Johnson. From the wit and independence of Edna St. Vincent Millay to the courage of Harriet Beecher Stowe, the tenderness of Christina Rossetti and the delicate observations of Japanese women haiku poets, these songs explore a rich variety of human experience.
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I am particularly drawn to the strength, courage and independence of trailblazing women such as Edna St. Vincent Millay and Harriet Beecher Stowe, contrasted with the tenderness and intimacy of Christina Rossetti's poetry.
Nell Walden's Was bin ich? (‘Who am I?’) brings another dimension — a haunting sense of searching, emptiness and questioning of identity. Walden, a Swedish-born artist and writer associated with Berlin's Expressionist movement, offers a strikingly introspective voice.
In Longing, Kirsten's unconventional setting of deeply personal words written to her by her future husband, Jonathan Herring, reflects a time during their courtship when they were living on different continents. The pain of separation and yearning is conveyed through descending chromatic lines and a relentless movement in the piano throughout the song, creating a powerful sense of restlessness and unresolved longing.
The five unaccompanied haiku, written by Japanese women poets of the seventeenth and eighteenth centuries, offer a very different sound world. These tiny poems capture fleeting impressions of nature and human emotion with extraordinary economy. The sparseness of the writing allows the voice freedom to explore subtle shifts of colour, nuance and expression.
In the two Harriet Beecher Stowe settings, unusual sound effects become an integral part of the storytelling. Eliza uses everyday objects — chains, a brush, a spade, a baby's rattle and a book — to evoke the harsh realities of slavery. In Never Give Up, the contrasting sounds of singing bowls and a woodblock move between tension and reassurance, reflecting the struggle to hold on and the possibility of hope.
What I find especially compelling in Kirsten's music is the interplay of contrasts — dissonance and harmony, darkness and light, power and restraint. As a singer, I love exploring these shifts in colour, dynamics and expression, moving between rich, layered textures and striking sparseness, dramatic intensity and quiet intimacy. Each song offers a different emotional landscape to explore, and the challenge and pleasure lie in bringing these very different voices and experiences to life.
Selection of own compositions
Falling Apart
Composed, performed and produced by Joanna Campion
Visuals by Luke Bishop
© Joanna Campion
Everyone Sang
Composed, performed and produced by Joanna Campion
Words by Siegfried Sassoon
© Joanna Campion
Selected Earlier Recordings
Trinity College Cambridge Choir
Featuring Joanna as a member of the choir
Trinity Baroque
Featuring Joanna as a member of the ensemble